Review: The Minotaur, Royal Opera

THE MINOTAUR; ROH,The Minotaur; JOHN TOMLINSON,Ariadne; CHRISTINE RICE,Theseus; JOHAN REUTER,

The innocents about to be sacrificed
(all images copyright Royal Opera House used with permission)

The composer, Harrison Birtwistle, came on stage at the end of this last performance in this run of his opera to huge, well-justifed applause. The music was wonderful and the huge orchestra (filling the orchestra pit and spreading into the auditorium) was excellently conducted by Ryan Wigglesworth; the singing was superb, especially John Tomlinson as the poor, suffering Minotaur.

THE MINOTAUR; ROH,The Minotaur; JOHN TOMLINSON,Ariadne; CHRISTINE RICE,Theseus; JOHAN REUTER,

Johan Reuter as Theseus and John Tomlinson as the Minotaur

If I were to give the slightest criticism, I would have preferred a shorter first act or more dramatic action to keep the act going – it is very intense stuff for a solid 90 minutes. That said, this was a tremendous production and drew in a much younger audience than I usually see at the ROH. One young man near me was even wearing a safety pin through his ear – maybe punk is coming back!

It’s too late to see it again in this run but I’m sure it will be back.

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