It was a particularly good year for non-narrative ballet and ENB’s triple bill had to be my favourite dance programme of the year. I watched the matinee on 12 March and did rather expect the B team, so I was particularly thrilled to see dancers such as Tamara Rojo and Erina Takahashi in three superb examples of modern ballet. The Royal Ballet also thrilled with Connectome and Monotones, although both were repeats of recent productions.
Of the narrative ballets, Vienna Festival Ballet was as enjoyable as ever with Coppelia and Birmingham Royal Ballet’s Carmina Burana was wonderfully spectacular. Apart from Onegin at the start of the year, it was not so good for the Royal Ballet, culminating with a Carmen that had me laughing for the wrong reasons.