I love opera on this scale, in a small, packed theatre with just five singers and three musicians so that you hear every note and every word clearly. The smaller scale doesn’t mean it’s easier for the singers, in some ways quite the reverse, particularly as it places much greater pressure on the singers to act naturally despite singing their heads off. I’m glad to say Louisa Tee as Violetta and Philip Lee as Alfredo both acted as excellently as they sang and Andrew Mayor as Alfredo’s father was also very good. The action was moved forward to the 1920s with a new English libretto by Robin Norton-Hale. The plot was necessarily simplified with basic scene changes but these were easily outweighed by the overall quality of the production, as shown by the massive applause at the end. It is deservedly selling out fast and casting changes each night so you might not get to see the same line-up as I did, but this is the third production by them that I’ve seen and I’ve never been disappointed. If you like opera in English, it’s also worth noting that, unlike the ENO at the Coliseum, the Soho Theatre has excellent air conditioning and plenty of knee room!