This was a hugely ambitious project – to commission three new dance works to commemorate the start of the First World War. It worked and all three of them knocked spots off the Royal Ballet’s effort with their revival of MacMillan’s Gloria earlier this year. Liam Scarlett’s No Man’s Land played with the title, referring to both the area between the front lines and to the women working in the munitions factory. All the leads were excellent, especially Alina Cojocaru, but I have to also praise Max Westwell as I ended up sitting next to his parents. This was followed by a revival of the Firebirdthe company premiered last year. The music is still wonderful and was brilliantly played by the ENB’s orchestra under Gavin Sutherland and the reduced choreography was an improvement on last year’s. Russell Maliphant’s Second Breath featured figures rising up only to fall to the ground again and again. It seemed a bit repetitive but that was the point, as the music featured recordings from the Imperial War Museum of soldiers from country after country listing the numbers of the fellow soldiers killed in the war. The most remarkable new work was Dust from Akram Khan, apparently his first work for a ballet company. His own astonishing dancing dominated, leaving me to wonder whether the choreography could stand up without him to dance. Luckily it was a question I didn’t need to ask as he both he and Tamara Rojo danced at the matinee as they had for the premiere the night before. I doubt I’ll see any better dance or ballet this year. As I was leaving the Barbican, a group of young people was just in front of me. One guy said to the others that it was the first time he’d cried in a theatre. He wasn’t the only one.
Review: Lest We Forget, English National Ballet
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