It might appear very brave of Christopher Moore, Ballet Theatre UK’s director, to take on the Royal Ballet in choreographing Lewis Carroll’s story, but the two productions could hardly be more different. The Royal Ballet are superb as one would expect but this is is a far more intimate and friendly production: I have never known so many young children be so quiet, enthralled from start to finish. The furthest seat in the Beck Theatre is closer to the stage than any in the ROH amphitheatre and it was only at the end that I realised that there were just 12 dancers in the company: they all work so hard and dance so many roles.
The amazing dancing table and a more conventional scene.
Apart from the central role of Alice (sorry I don’t have the name of the dancer), my favourite was the Mad Hatter’s Tea Party. Unlike other productions which might feature the Mad Hatter, the March Hare or the Dormouse, the highlight of this was the dancing table itself, showing just how original this production is. Now touring, this is a terrific introduction to ballet for young children and very enjoyable for old folks like me too!