Other commitments prevented me getting to see Le Coq d’Or but at least I managed the second of the triple bills which included the final scene. First came Scheherazade in the version first performed as part of Les Saisons Russes du XXI siècle a couple of years ago. This was a much more polished performance, with terrific dancing from Julia Makhalina and Artem Yachmennikov as the leads. The excerpt from Le Coq d’Or was great fun but I didn’t really miss seeing the whole thing. Then came a gorgeous treat, a performance of Fokine’s Swan from Saint-Saens’ Carnival of the Animals, originally created for Anna Pavlova. Infuriatingly, it wasn’t listed in the programme and I didn’t catch the name of the brilliant dancer.
The afternoon finished with Polovtsian Dances. This was much more enjoyable than when I saw it as part of Prince Igor earlier this year. In that case, the stage was full of scenery and singers, leaving little space for an unimaginatively choreographed version. On Sunday, the chorus stood in the boxes at the side of the auditorium, with almost no scenery, allowing the dancers wearing copies of Nicholas Roerich‘s original costumes to fill the stage with Fokine’s fabulous choreography. I’m not sure how authentic it was but the back flips by star dancer Maxim Pavlov, only added to the fun. This is the third programme I’ve seen put together by Andris Liepa to honour Diaghilev and it was easily the best, thanks largely to the incredible energy of the young company. At this rate, his next programme is going to be unmissable.