It is impossible not to describe The Dream as magical. Frederick Ashton ditched the Athenian court, ditched Pyramus and Thisbe and centred the ballet around Oberon and Titania, parts created for Anthony Dowell and Antoinette Sibley, both of whom helped as lead coaches for this production. Steven McRae and Roberta Marquez danced beautiful and Bennet Garside managed to dance wonderfully and also be very funny as Bottom, with Paul Kay as a very mischievous Puck. Alastair Marriott’s Connectome could hardly have been more different, highlighting the brilliant dancing of Natalia Osipova accompanied by six male dancers. The other great star of the production was the lighting designer, Bruno Poet, who worked with Es Devlin’s clever set to astonishing effect, so good I could have happily watched it even without the dancers. Sadly, I decided to skip the final ballet of the evening to get home before midnight – shame there wasn’t a matinee.