The Royal Ballet’s performance of Balanchine’s Serenade was a nice start to the afternoon but I couldn’t help thinking of Houston Ballet’s performances of Balanchine works last year. They managed to give them a touch of Hollywood – a very American touch of swing and swagger that would have improved this to. However, on to the big event: Liam Scarlett’s Sweet Violets, inspired by the painter Walter Sickert’s obsession with Jack the Ripper. I missed its premiere a couple of years ago so was glad to grab this chance to see it. Unfortunately, not just the subject matter was dark, the stage was too. Although it was excellent, I almost fell asleep and heard a couple of people complaining that they had nodded off. It is possible to convey the necessary dark mood without lowering actual light levels this much. That left DGV: Danse à Grande Vitesse which really woke everyone up. The music was commissioned from Michael Nyman to celebrate the French TGV trains. I’d never heard a full orchestra performing Nyman’s work live before, only his own band, and the textures were far more complex and fascinating. The choreography fitted the music perfectly, starting with a 6 Million Dollar Man/ Bionic Woman style of depicting speed through slow motion, then moving on with the music to more athletic action. It’s good to be back in London!