Review: Death in Venice, English National Opera

This was as perfect as an opera can be. John Graham-Hall as von Aschenbach sang an extraordinarily demanding role perfectly. His final, vocally demanding aria, sung virtually unaccompanied, at the end of three hours was full of heartbreak. Deborah Warner’s direction, Tom Pye’s set and Jean Kalman’s lighting were all so perfect that I have to mention them, as I do the brilliant conducting of Edward Gardner. I was pleased to be sitting where we could not see the surtitles as every word John Graham-Hall sang was perfectly clear, as were most of the others. It’s only after reading other reviews I discovered they wisely chose not to use the surtitles. This should be standard for Britten operas: he wrote for the English language so perfectly you can almost hear the words in the music alone.

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