Katie McGuinness was again superb as the title character after similar successes in Nan and Mary Broom (both also at the Orange Tree), whilst Christopher Ravenscroft plays a much nastier and more complex character than the nice DI Burden he played in Inspector Wexford. As it was the first preview, a couple of slight glitches in the first part are easily excused, especially as the director, Sam Walters, was in the audience ready to pick them up and make sure they are sorted by tonight. There was not a single fault in the second part which was sheer joy, the plot and performances picking up and driving forward to a perfect (but not predictable) ending.
I used to live closer to the Orange Tree Theatre, going regularly, and still try to go when as often as I can. Sam Walters specialises in finding relatively unknown, well-constructed plays from the late 19th and early 20th centuries. It is a crime that this play, written in 1924 by Githa Sowerby, has never been performed in the UK. As with many of his other finds, what surprises is not how dated these plays are but how they resonate with our current time. It may seem odd that the only purpose-built true theatre in-the-round that I know of in London should offer such a good home for 100 year old plays.