I have always loved Stravinsky’s ballet music above any other composed for the ballet and the Firebird is one of the greatest. Unlike Nijinska’s magical choreography for les Noces last year, I felt Fokine’s 1910 choreography for the Firebird is showing its age and could have been gently improved. The dancing, particularly Mara Galeazzi as the Firebird, was excellent although the footfalls were sometimes louder than they could have been. This was followed by In the Night danced to Chopin’s piano music. I have never got the appeal of Chopin and the ballet did not add a lot except when Carlos Acosta was dancing. I was yawning so much by the end that I skipped the third ballet. I was still whistling the astonishing music from the magnificent Firebird that opened the evening (well worth my £6 seat on its own).
[Review] The Firebird, Royal Ballet
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